This past December wasn’t a very good month for me. I’ll spare you the details, and just say that, generally speaking, I spent the Christmas season cultivating a pretty good forest of melancholy, depression, and uncertainty about the future. However, I’ve learned over the years that it’s normal to feel these things sometimes; it’s a natural part of life. You can’t feel the ups of life, if you don’t feel the downs. It’s not natural to always be walking around in a perpetual state of bliss and contentment. And it’s so easy to forget this when you plug into the matrix every day and are greeted by hundreds of smiling happy faces that are always on vacation, or falling in love, or having babies, or eating in the best restaurants on earth. I’m all for those things, and maybe these are, after all, the best things to share with each other in the public square type of environment that we have online. But, we all know of course, that in reality there’s just as many moments full of sadness and loss and failure and heartbreak. And sometimes the only real medicine is just feeling the pain, letting it wash over you, and giving it some time to pass. Anyway that’s what my December was like. It seems like ages ago now, but somewhere, back in the middle of it, I watched A Star Is Born.
I didn’t feel like writing about it at the time. It’s pretty heavy subject matter. And of course I’ve seen a handful of other movies since then, but this one has stuck to my insides in a way the others have not. I didn’t know what this movie was about beforehand. I was drawn to it mainly because I think Bradley Cooper is a great actor and I wanted to see how he did with his directorial debut. If I had read a plot synopsis ahead of time I might have avoided it. I’m not sure it’s the best kind of movie to watch if you’re feeling down.
It’s good storytelling though — dramatic, intense, cathartic, tragic — all the stuff you need for a film to be entertaining, emotionally engaging, and still relatable to those of us who aren’t out saving the world with Steve Rogers, Peter Parker, and Will Smith. I like those kinds of movies too, but I guess what I’m trying to say is that this film made me FEEL something in the midst of its realness and grittiness.
I think stories that portray self sacrifice (even in such a brutally heartbreaking way as this one) tend to generally have this effect. But when the sacrifice is unexpected, painfully explored, and woven together with love, it hits the heart strings with a hammer. That’s what this movie did to me anyway. That’s why I’m still thinking about it three months later. Correction: That’s why I’m still feeling it.
A Star Is Born is not a new story. It’s been done before. Bradley Cooper and Lady Gaga have retold a story that Barbra Streisand and Kris Kristofferson retold back in ‘76, which was a story that Judy Garland and James Mason starred in before them in ‘54, which was one that was previously portrayed by Fredric March and Janet Gaynor in 1937… I haven’t seen any of those, and I don’t know how well they all line up with each other, or how much they reflect this most recent iteration. But none of these are the original story anyway. There’s a much older one…
The one where God descends from Heaven to mingle among the common folks here on Earth. Then he claims a Church for himself, gives her a new life, makes her his Bride, shows her that she is loved, tells her to speak the truth, tells her to be real, and then gives himself up for her—because it was the only way—the only way for her to shine as brightly as possible.
A Star Is Born is proof that the best stories are still the oldest ones – even when they’re wrapped inside new garments.
Even when they reveal themselves inside the unlikely framework of a Hollywood film in 2019.
The music is good too.